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Design Milk’s Friday Five profile examines Veronica Mishaan’s renovation of a 6,250-square-foot family penthouse in Bogotá. The design updates the layout and rooms for the owners’ current lifestyle while retaining furniture, artwork and memories accumulated over more than 30 years.
Design Milk’s Friday Five profiles designer Veronica Mishaan and her work on a 6,250-square-foot Bogotá penthouse, where the renovation reshaped the home for its owners’ current lifestyle while preserving objects and furnishings tied to more than three decades of family life. The project offers a detailed look at how Mishaan brought together the apartment’s existing collection, new custom design and views of the Andes.
The apartment had been in the owners’ family for more than 30 years. Mishaan said they wanted it updated for a new stage of life without losing the memories associated with the home. The redesign therefore involved both new work and reuse: existing furniture and artwork were retained and moved to different rooms. A desk now in the primary bedroom, for example, had previously stood in the living room.
Changes included a reworked layout, custom tinted wide-plank oak floors, a combination of recessed and decorative lighting, and smooth plaster walls. The primary suite was relocated and given navy wallcovering; its furnishings include a paisley-wool-upholstered bed, a Kelly Wearstler bouclé chaise and bench, and custom brass, wood and glass shelving. In the primary bath, pink marble flooring continues up the walls before meeting blue-and-white waterjet marble. The dressing room has mirrored walls, a custom parchment vanity and a curved bench upholstered in Pierre Frey velvet.
Other rooms were designed around the family’s use of the home. The guest rooms include built-in bunk beds for grandchildren, paired with Temple Studio wallpaper. A family room combines dark-blue grasscloth walls, a parchment-wrapped custom bookcase, blue leopard-print Stark carpeting, Lee Jofa mohair upholstery and animal-print drapery. In the main living room, a custom Lee Jofa wool sofa sits with marble-top tables and a cast-bronze water lily table; the arrangement is circular, which Mishaan said was intended to encourage conversation.
Preserving a Family Home Through Design
The project’s central design problem was not simply how to modernize a large apartment, but how to do so without treating the owners’ history as disposable. Mishaan’s account describes a renovation that gives the family new room arrangements and updated finishes while allowing familiar artworks and furniture to remain part of daily life. That approach is visible in the reused pieces and in rooms tailored to current family needs, including the grandchildren’s bunk beds.
The home also shows how its setting informs the interior. The Andes views and Bogotá landscape became reference points for material and color choices, while the existing family collection supplies another layer of identity. These details help explain the project as more than a catalogue of new finishes: the design is presented as a negotiation between the apartment’s past, the owners’ present routines and the landscape outside.
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Mishaan’s Path to the Project
Mishaan grew up around design in Bogotá and Cartagena. Her mother, Susana Mishaan de Millán, is also a designer; Mishaan credits her with inspiring her interest in painting and fine art and teaching her about confidence, layering and proportion. After studying quantitative economics and international relations at Tufts University, Mishaan had hoped to pursue painting. At her father’s encouragement, she began helping her mother with interior-design work.
That work began as what Mishaan recalls was meant to be a six-month commitment and continued for 16 years. She and her mother built M De M Designs, creating bespoke interiors and handcrafted furnishings in Bogotá and Cartagena. After six years, Mishaan took sole leadership and developed the practice into Veronica Mishaan Design House. The firm now has offices in New York City, Bogotá and Bermuda, and works across residential, hospitality, commercial and product design, according to the profile.
Mishaan describes her method as treating each interior like a canvas, balancing color, texture, geometry and materials while adapting to each client rather than repeating one style. In the penthouse, that principle appears in the mix of inherited pieces, contemporary furnishings and varied finishes. The feature’s project photography is credited to Max Burkhalter.
““The client wanted this home to be updated for the family’s new stage of life, but did not want to erase all the memories that had been made there over more than 30 years.””
— Veronica Mishaan, speaking to Design Milk
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Project Details Not Provided
The Design Milk profile does not state when the renovation was completed, what it cost, or how long the work took. It does not identify the owners beyond describing the apartment as their family home, and it gives no account from the owners themselves. The source also does not specify which elements of the original layout or finishes were retained beyond the furniture and artwork it describes. The article presents Mishaan’s account and design decisions; it does not provide independent assessments of the project’s budget, construction process or performance.
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No Further Project Milestone Listed
The source is a design profile rather than an announcement of a forthcoming phase. It gives no next construction milestone or planned follow-up for the Bogotá penthouse. Mishaan’s firm is described as continuing work across residential, hospitality, commercial and product design, but the profile does not name a new project or provide a schedule for further updates on this apartment.
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Key Questions
What is the Bogotá penthouse project?
It is a 6,250-square-foot apartment renovation by designer Veronica Mishaan, featured in Design Milk’s Friday Five. The home had been in the owners’ family for more than 30 years.
What was the main goal of the renovation?
Mishaan said the owners wanted the apartment updated for their current stage of life without erasing family memories. The project retained and relocated existing furniture and artwork while changing the layout and finishes.
How did the Andes influence the design?
Mishaan said the mountain views informed her approach. The profile describes earthy colors, wood and botanical references, including sage-green millwork in the playroom and garden-inspired wallpaper in the primary bedroom.
What features were added for the family?
The guest rooms include custom built-in bunk beds for the grandchildren. The primary suite was relocated, and the redesign also added a dressing room and updated the family’s gathering spaces.
Is a completion date or renovation cost available?
No. The profile does not give a completion date, project cost or construction timeline, and it does not name the owners.
Source: rss
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